代写论文：性艺术
这个雕塑的背景和主题没有与色情。女性人物的裸体不仅强调她是脆弱的,但也是性的潜力。然而大多数绘画和雕塑,代表一种理想的图的一个裸体的话题现在通常被认为是接受和充满美丽。Frueh等它被解释为作者,1994年通过理想现实揭示隐藏的,对中和性和色情内容。绘画和雕塑,裸体人物不隐藏和不理想有淫秽图片具体的名称时所显示的图并不理想裸体(希区柯克,2011)。然而根据艾克,2003年经典的裸体可以描述通常作为神圣的艺术领域中保持身体的性欲望,但不提供任何表示赞赏作为美的对象。从这个角度看,毫无疑问在接受事实,当代艺术时的性行为表示成了色情摄影专门为性目的获得商务部的动机。在西方当代艺术、金星和夏娃被表示为裸体隐形富人男性顾客的淫乱。然而确实存在一个增强的解释裸体主义在文艺复兴和色情行业使用当代思维过程(天使,2006)。这解释了人类的性唤起取决于性利益,这主要是通过视觉感知发生性内容的视觉艺术可以很有吸引力。即使绘画媒介的建议当然它的观众,这张照片是一种艺术范畴,它可以建议的意象,它是跨越几个类别,而不是符合当代艺术或广告的类别或色情。还有埃贡·席勒的影子的自画像(1911)提出了一个扭曲的大阴茎自慰自我形象。这中创建一个挑战从现实的角度来看,但慢慢地开始工作表示模糊边界。
代写论文：性艺术
This sculpture’s context and subject did not have anything to do with eroticism. The female figure’s nudity not only laid emphasis on her being vulnerable but also her sexuality potential. Most paintings however and sculptures as well that represented an ideal figure of a nude subject now are typically considered to be accepting and filled with beauty. It has been explained by authors such as Frueh, 1994 that it is the reality unveiling through ideals hidden that lead towards neutralizing sexual content and eroticism. Paintings and sculptures where nude figures are not hidden and are not idealized are given the name of obscene images specifically when the figure is not ideal for being displayed as nude (Hitchcock, 2011). According to Eck, 2003, however the classical nude can be described typically as being kept in sacred art realm wherein bodies do not provide any representation for sexual desires but in being admired as beauty objects. From this perspective there is no doubt in accepting the fact that contemporary art becomes pornography when the sexual act is represented in the photography specifically for sexual purposes with the motive of gaining commerce out of it. In western contemporary art, Venus and Eve are represented as nude cloaking the wealthy male patron’s prurience. However there does exist an enhanced explanation for nudism during renaissance and the industry of pornography using contemporary thought process (Angell, 2006). This explanation presents that the sexual arousal of human beings depends upon what sexually interests them and this predominantly happens by visually perceiving sexual content for which visual art can be highly appealing. Even though the medium of drawing and painting would suggest certainly to its viewers that the photograph is from an art category, it can be suggested by the imagery that it is spanning several categories and not just fitting into the categories of being either contemporary art or advertisement or pornography. The Self-Portrait by Egon Schiele (1911) presented a distorted looking image on a large phallus masturbating the self. This medium creates a challenge from reality perspective but the work representation slowly begins to blur the boundary.
