本篇文章主要是电影场景分析，在这两场戏中，声音都被用来进入角色的内心，其中一个最好的方法就是配音。在开场的场景中，威拉德以画外音的形式说出了电影的第一句话，标志着这种特殊的装置在电影中的非常规运用。他的第一句话是“西贡”。屎….《还在西贡》(Adair, 1981)。就这一行字而言，听着窗外传来的声音(军乐队的音乐)，威拉德咒骂着，对战争表现出彻底的反感。在同一时间点，他表现出他只是想尽快回到丛林。作为参与任何战争的众多士兵，尽管威拉德对战争怀有仇恨，但他在战争中却失去了动力，迷失了方向。这为观众提供了他生命的意义。本篇费城论文代写文章由美国论文通AssignmentPass辅导网整理，供大家参考阅读。
One of the best ways in which sound has been used in both the scenes for getting inside the mind of the characters is the approach of voice- over. In the opening scene, Willard utters the very first line of the film in the form of voice- over, signalling the unconventional utilization of this particular device in the film. His first line is “Saigon. Shit…. Still in Saigon” (Adair, 1981). In a matter of this single line, hearing in alignment with sounds coming from outside the window (music of a marching band), Willard can be seen swearing and showing utter revulsion with respect to the war. At the same point of time, he shows that he simply wants to go back to the jungle as soon as possible. As a number of soldiers involved in any war, though there is hatred in Willard for the war, he is unmotivated and lost in its absence. This provides the audience a meaning of his life.
In this particular scene, there has been a utilization of soundtrack for the reinforcement of notion under the absurdity of war. The use of sounds has helped in the announcement of unnecessary, senseless strike of air. In this particular scene, there is huge significance underlying the concept of “Point of Audition” (Elliot, 2004). Point of Audition helps in describing what isbeing heard by the on-screen character in their world that can be related with the point of view of the on-screen character. The point of audition had been defined by Chion (1994) as two different meanings. 1.) A spatial sense: from where do I hear, from what point in the space represented on the screen or on the sound track? 2.) a subjective sense: which character at a given moment of the story, is (apparently) hearing what I hear (Chion 1994).” One mostly shows concern towards subjectivity with respect to narrative function in the scene and in the entire movie, and even in the opening scene.
In the scene of Do Long Bridge, strange reverbs and acoustics can be seen commenting upon the P.O.A of Lance as he was under the influence of LSD. At the background in this scene, low thuds of chopper seem to create an eerie perception underlying foreboding. Willard and Lance step out of the boat for finding the commanding officer at the outpost. Strange animal sounds and processed cries can be heard, depicting the increased insanity possessed by the soldiers (French, 1999). These sounds tend to be emphasizing and supporting the scene, while not diverting and confusing the attention of listener, but accentuating the sense of craze for war, along with the increased risk faced in travelling up-river. As Lance and Willard crawl across the trenches of the Bridge, they meet some crazed soldier wildly firing in the jungle.
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