论文代写：爵士乐
自由爵士是在1964年创造的，从奥内特·科尔曼的录音开始，在当时的爵士乐中有一种新事物被描述出来。在音乐兄弟会中，对爵士乐的理解很少或很少。可用的信息量较少可能主要是因为没有知识路径，也没有足够的空间进行批判性分析，否则是其他严肃艺术形式的一部分。近年来发生的即兴创作爵士乐在20世纪经历了传统分析的风格已经严重了,没有写信息通过各种学者努力的转录的音乐以解决各种困难,否则固有的音乐只基于录音。爵士乐手和爵士音乐对自由爵士乐的批评很少，因为他们不喜欢或不赞成以非传统的方式或技巧进行的事情。特别是在爵士乐方面，他们不想做出任何妥协，而且是严格的。他们宁愿没有任何形式的爵士乐，也不愿订阅现代爵士乐。他们不认为这是免费的爵士乐，而不是爵士乐。这个观点非常严格，在变化的时间和演变和音乐的即兴创作上都不需要改变。
论文代写：爵士乐
Free jazz was coined in the year 1964, from the recording of Ornette Coleman where a new thing was described in the jazz which developed around that time. There is little or scanty understanding regarding jazz as music amongst the music fraternity at large. The less amount of information available could largely be due to the fact that there is absence of intellectual path or there is very little room for critical analysis which is otherwise a part of the other serious forms of art. The improvisation which has happened to jazz in recent times around the 20th century has seen that the styles of traditional analyses have been grossly defied and there is no written information regarding it through which various scholars can make efforts for transcription of music so as to tackle the various difficulties which are otherwise inherent to music which is based on recordings only. Very less attention is paid by the jazz musicians as well as the critics of jazz music towards free jazz as they do not like or approve things which are otherwise mated out in untraditional ways or techniques. Especially with regard to jazz, they do not want to make any compromise and are stringent about it. They would rather not have jazz consideration in any form, rather than subscribe to modern forms of jazz. They don’t consider this as free jazz but rather as anti jazz. This view point is very stringent and needs little changes with changing times and evolution and improvisation of music.
