论文代写：立体派艺术家—毕加索
非洲的影响力导致了毕加索对立体主义的影响。在受到人物形象化处理的启发后，毕加索创作了Les Demoiselles d’Avignon。这幅画大概是五个裸体女人。这些人物是以平坦的分裂方式组成的，脸上像是混合了非洲面具和伊比利亚面具文化。女性身体以扭曲的方式呈现，并且其形状也是几何的（Foster等，2012）。传统艺术的形式和表现在这里完全抛弃了。图片中看到原始主义，并将视角交易为二维平面。它被认为是一件非常具有创造性的艺术作品，毕加索自己觉得它将他从受到影响的更经典的技术中解放出来，并在法国工作。这些绘画形式后来成为立体派的潮流。立体派艺术家的早期艺术作品大部分探索了类似风格的刺穿人物和物体，一端与背景相融合，另一端则呈现出投影表面。立体派人士在角度和对象与程式化人类的背景下工作。现代世界中的空间，运动和时间正在发生变化，其立体效果被观察到。抽象的，简化的，程式化的对人体的描述激发了巴勃罗毕加索，也是立体派的灵感（库珀，1971）。
论文代写：立体派艺术家—毕加索
毕加索对立体主义的直接影响来自于他于1907年在Les Demoiselles d’Avignon的作品。该作品的人类激进歪曲的风格与古典技术形成鲜明对比（Chave，1994）。碎片化的几何平面，柔和的色彩和更多被视为对Braque等艺术家的影响。布拉克受到毕加索作品的启发，他在二十世纪初创作了山水画作为毕加索作品的直接影响。位于L’Estaque的房屋，树木和山脉呈现出柔和的立方体形状，被法国评论家Louis Vauxcelles命名为“奇异立方体”。十九世纪巴勃罗毕加索对立体主义的影响力混合在一起。古老的和部落的艺术形式挑战了文艺复兴时期的艺术（Galenson＆Weinberg，2001）。在立体主义的第二种形式中称为合成立体派色彩变得重要。未涂漆的物体和彩色物体被制成拼贴画。毕加索对主流技术提出了激进和具有挑战性的想法，并开创了立体主义的新趋势。
论文代写：立体派艺术家—毕加索
African influence was what led Picasso to Cubism. After getting inspired by the stylized treatments of the human figure, Picasso created the Les Demoiselles d’Avignon. The painting was about five naked women. The figures were composed in a flat splintered way and the faces appeared like a mix of African masks and Iberian masks culture. The female body is presented in a distorted way, and it was geometric in its shape as well (Foster et al., 2012). Form and representation of traditional art were totally abandoned here. A primitivism is seen in the picture and perspective was traded for a two-dimensional plane. It was considered a very innovative work of art and Picasso himself felt that it liberated him from the more classic techniques that he was influenced into working in France. These forms of paintings later came to set the trend for Cubism. Much of the early art work of the Cubists explored similar styles of piercing figures and objects that blended with the background at one end and showed a projective surface at the others. Cubists worked with angles and objects with stylized humans in context. Space, movement and time in the modern world were changing and its effects were observed in cubism. Abstract, simplified and stylized representations of the human body that had inspired Pablo Picasso were also an inspiration for the Cubists (Cooper, 1971).
论文代写：立体派艺术家—毕加索
Picasso’s direct influence on Cubism is from his work in the Les Demoiselles d’ Avignon in 1907. The work’s style of radical distortion of humans was a sharp contrast from the classical techniques (Chave, 1994). Fragmented, geometric planes, subdued colors and more were seen to be an influence on artists like Braque. Braque was inspired by Picasso’s work and he created landscape paintings in the beginning of the twentieth century as a direct influence form Picasso’s work. The House at L’Estaque with trees and mountains in subdued forms of cubes was named by French critic Louis Vauxcelles as the “bizarreries cubiques’. A mix of influences was projected on Cubism by Pablo Picasso from the nineteenth century. Archaic and tribal art forms challenged the conventions of renaissance art (Galenson & Weinberg, 2001). In the second form of cubism called synthetic cubism color become important. Non-painted objects and colored objects were made into a collage. Picasso gave radical and challenging ideas to the main stream techniques and created a new trend in cubism.
