论文代写：恋物亚文化
恋物亚文化是性拜物教的一部分，其中的亚文化包括各种恋物癖和性欲倒错的人。恋物亚文化也被参与者称为恋物癖群体。在恋物癖亚文化中看到的一些常见的性欲倒错是皮革和橡胶的恋物癖。为了了解性欲倒错的关联，恋物性的亚文化是认为性欲倒错被认为是对非典型情境、行为、个体、幻想对象和恋物癖的强烈性唤起体验。因此，Kevin(2005)认为，在恋物癖(Cereda, 2014)中，不同的个体在不同的情境、幻想、特定的服饰和行为中表现出不同的个体。要理解服装和成形的身体的基本定义，就变得更加重要了。
论文代写：恋物亚文化
这条裙子被认为是社会生活的基本要素，人类学家认为，每一种人类文化都是如此。服饰是身体转化为可被社会感知的可辨认形式的方式。因此，礼服被用来制作成形的身体(Dirix, 2014)。服饰是一种通过时尚传递信息的行为，但同样的行为是由个体自己在身体上进行的。恩特威斯尔认为，时装和服装是相关的。
论文代写：恋物亚文化
The fetish subculture is a part of sexual fetishism wherein the subculture consists of people with wide range of fetishes and paraphilia’s. The fetish subculture is also referred by the participants as the fetish community. Some of the common paraphilia viewed within the fetish subcultures are the leather and rubber fetishism. In order to understand the association of paraphilia, the fetish subculture is to consider that paraphilia is regarded as the intense sexual arousal experience to the atypical situations, behaviours, individuals, fantasies objects and fetishes. Hence, it is argued by Kevin (2005) that the various situations, fantasies, objects specifically dress and behaviours are performed by different individuals as fashioned bodies within the fetishes (Cereda, 2014). It becomes further essential to understand the basic definition of both the dress and fashioned bodies.
论文代写：恋物亚文化
The dress is recognized as the basic essentiality of the social life and the anthropologists have suggested that it is the case with every human culture that exists. The dress is the manner in which the body is transformed into the recognizable form that can be perceived by the society. Hence, the dress is utilized to make the fashioned body (Dirix, 2014). Dress is utilized as the practice which is informed through the fashion, but the same is conducted by the individuals themselves upon their bodies. It is argued by Entwistle that the fashion and dress are correlated.
