论文代写：音响工程师
音响制作人或工程师的重要倾听技巧决定了他们能够理解的范围，并专注于特定的声音品种。只有当他们能够理解声音品种时，他们才能够专注并能够用声音确定正确的行动方向。如果不存在批判性听力技能，那么就会缺乏重点关注。这将导致确定设计操作设备所需的操作过程的质量较差。或者，操作设备可能无法纠正以产生正确的声音。例如，在同一电影项目中，观察到除了处理光盘的创新方式之外，还有必要了解麦克风的使用和应用。在曼哈顿歌剧院的录音中，麦克风使用了更新的技术。这里使用了一个冷凝器形式，它再次成为开创性的努力，以创造更好的拾音效果。听起来乐团的声音会成为一个问题，需要声音增强技术。
论文代写：音响工程师
麦克风的聚光器类型解决了这个问题，即使麦克风有一些缺点，例如它本身重约8磅。电容式发射机放大器导致了这个额外的重量。根据乔治格罗夫斯的说法，虽然声音的增强是一个专业人士，但工程师确实注意到由于采用了更新的技术而在记录中产生的一些问题。他提到在录音过程中拾取流行音乐。流行的声音发生是因为水分开始积聚在麦克风磁性元件的隔膜中。声音工程师必须对他/她录制的内容进行批判性分析，并检查与录制内容不符的任何声音。在乔治格罗夫斯的情况下，他对这项技术的了解以及他对声音记录的期望的了解，使他意识到声音和适当的行动可以用来处理它。
论文代写：音响工程师
Critical listening skills of a sound producer or engineer determined the extent to which they can understand and focus on specific sound varieties. Only when they can comprehend sound varieties, they will be able to focus and would be able to determine the right course of action with the sound. When critical listening skills are not present then there will be a lack of focused attention. This will result in less quality in determining the course of action needed to engineer the operating equipment. Alternatively, the operating equipment might not be corrected for producing the right sound. For instance, in the same movie project it was observed that in addition to the innovative ways in which the discs were handled, it was also deemed necessary to understand use and application of microphones. In the recording for the Manhattan Opera House, newer technology was used with respect to the microphone. A condenser form was used here and it was once again a pioneering effort in order to create better sound pick up. Sound pick up for the orchestra was going to be a problem and sound enhancements technology was required.
论文代写：音响工程师
The condenser type of microphone solved this issue even though there were some cons with the microphone for example it is weighing about eight pounds in itself. The condenser transmitter amplifier resulted in this additional weight. Now although the enhancement of sound was a pro according to George Groves, the engineer did note some problems created in recording because of the newer technology. He mentions picking up a pop sound in the middle of recording. The pop sound happened because moisture was starting to build up in the diaphragm of the microphone’s magnetic elements. The sound engineer had to be critically analytical of what he/she records, and check out for any sounds that are not in line with what they are recording. In the case of George Groves, his knowledge of the technology and his knowledge of what to expect when sound recording made him aware of the sound and appropriate action could be taken to handle it.
