检讨工作表现
一般来说，创作有灵魂的奏鸣曲是困难的。只有少数杰出的人才有能力进行表演(Rosen, 1988)。弗朗西丝卡·阿农、伊丽莎白·克罗恩和特雷西·考登都很好地阐明了这一点。没有必要的天赋和技巧，要演奏奏鸣曲是不容易的。这些表演艺术家能够以一种娱乐的方式传递音乐，同时展示他们作为艺术家的技巧。
在这些表演中，需要特别提到的是Francesa Arnone对表演的演绎。音乐的演奏值得鼓掌，当听到表演，从缓慢的节奏逐渐过渡到快板是由艺术家美丽的尝试。
艺术家们演奏C大调奏鸣曲时，就建立起了他们的灵巧和深情。这段音乐的演奏一直持续到三人组。回顾实际，C大调奏鸣曲的演奏从慢节奏逐渐发展到活泼的节奏，快板演奏得非常优美。从这，节奏逐渐下降到慢板。菜单一和菜单二解释得很清楚。他们以一种独特的呈现方式真正地保留了原来的构图(Rosen, 1988)。弗兰切斯卡·阿诺内的长笛独奏套曲值得称赞。这场演出以阿登特的三重唱结束。
在每一场表演中，表演艺术家的才华和技巧都得到了完美的展现。从表演中可以看出，每一位表演艺术家都把自己的角色演得很好。弗兰切斯卡·阿诺内的长笛演奏尤其值得一提，因为它深刻地阐释了音乐的美。
在三重唱中，艺术家们完美地融合在一起。特蕾西·考登会弹钢琴，能熟练地表现出不同的键击。伊丽莎白·克罗恩的表演经历在这次演出中得到了清晰的阐述。
总的来说，这是一场美丽的演出，值得更多的赞誉和赞扬。
Review of the performance
In general, it is difficult to create soulful sonata music. Only a few eminent people have the ability to carry out the performance (Rosen, 1988). Francesca Arnon, Elizabeth Crone and Tracy Cowden have beautifully elucidated this aspect. It is not easy to carry out a sonata without having the required talent and dexterity. These performing artists were able to deliver this music in an entertaining manner while showcasing their skills as artists.
Of these performances, Francesa Arnone rendition of the performance needs to be specifically mentioned. The rendition of the music deserves to be applauded while hearing the performances, the gradual transition from the slow tempo of the mandate to the allegro was beautifully essayed by the artists.
Dexterity and the soulfulness of the artists was established when they had played the sonata C major. This rendition of the music continued throughout the performance until the Trio. In review of the actual, music played the sonata in C major started out as a slow tempo gradually progressed to the lively tempo and the allegro was beautifully played. From this, the tempo was gradually brought down to the Adagio. The Meneut I and II were beautifully elucidated. They stayed truly to the original composition with a unique presentation (Rosen, 1988). The Divertimento of Solo flute performance by Francesca Arnone deserves to be applauded. This performance finishes with the Trio performance by the Adante.
In each of these performances, the talent and dexterity of the performing artist has been essayed beautifully. It can be understood from listening to the performance that each of the performing artists has carried their part beautifully. Francesca Arnone Flute performance needs to be mentioned especially as it poignantly elucidated the beauty of the music.
In the trio, there was a beautiful blend of the artists. Tracey Cowden played the piano and was able to show the differential key strokes in a skillful manner. Elizabeth Crone’s experience as a performance is clearly elucidated during this performance.
Overall, the performance was a beautiful rendition that deserves more accolades and praises.
