代写论文：动物的洞穴壁画
最常见的那个时期的艺术是包括动物比人类的洞穴壁画。这些画是更多关于他们的固有的和他人交流感情和表情。的作品在法国发现的旧石器时代,是关于洞穴壁画显示雄鹿,马,人类,许多抽象设计(洞穴壁画,2014)。设计可能是由一个物种将思维能力更接近人类,谁能够展示他们的感情被画在一个山洞里。动物被画在画可能代表了他们的成功或需要遵守一些宗教仪式,在这些动物。这些画是未知的和模糊的目的。一种不同的物种的可能性不能排除在那个时代有很多不同的种类。这些画是由石头雕刻而成,鹿角或骨头,然后用粘土塑造给这幅画颜色和纹理(Esaak,2015)。还声称,这些画可能是由烧焦的骨头,矿物质,和木炭与血液混合,动物脂肪,水,树削弱了。动物的洞穴壁画可能意味着文化的人可能会成为他们的日常生活之外的冰将会迫使他们呆在室内的洞穴和花大部分的时间。
代写论文：动物的洞穴壁画
The most common art of that period was the cave paintings which included animals more than humans. These paintings were more to communicate with others about their inherent feelings and expressions. One of the paintings found in France in the Paleolithic period, was about the cave painting showing stags, horses, humans, and many abstract designs (Cave paintings, 2014). The designs are probably being made by a species which would have thinking capacity closer to humans and who would be able to present their feelings by painting inside a cave. The animals being drawn inside the paintings could represent the success of having caught them or some religious ritual to be followed on these animals. The purpose of these paintings remains unknown and blurred. The possibility of a different kind of species cannot be ruled out as there were many different species in those times. These paintings were supposedly carved from stone, antler or bone, and then modelled with clay to give the painting colours and textures (Esaak, 2015). It is also alleged that the paintings could have been prepared by burnt bones, minerals, and charcoal mixed with blood, animal fats, water, and tree saps. The cave painting of animals could mean the cultural side of those people which could have become their daily routine as the outside ice would have forced them to stay inside of the caves and spend most of their time there.
